Changing places doesn’t always help you see things differently.
Cassie throws the first punch in a brawl at Winchester Abbey Girl’s School. Her subsequent suspension is a glitch in Cassie’s master plan; Finish School/Get Job/Leave Home (and never come back). As punishment her mother banishes her to Ludlow Park, their creepy ancestral home. In the dark of a stormy night Cassie finds herself transported to 1714, the beginning of the Georgian period.
With the help of a lady’s maid and an obnoxious gentleman, Mr Charles Stafford, Cassie must unravel the mysterious illness afflicting Lord Miller. If Lord Miller kicks the bucket the house goes to Reginald Huxley, the brainless cousin from London.
Cassie’s task is to figure out who is poisoning the Lord of Ludlow without exposing herself to the ridicule of her peers, getting herself committed to the asylum or worse, married off to the first man who will have her.
Cassie must learn to hold her tongue, keep her pride in check and reign in her rebellious nature – because the fate of her entire family, for generations, rests on her shoulders.
Meanwhile, Lady Cassandra Miller frantically searches for her smelling salts or her trusted governess Miss. Blythe, whose soothing advice she would dearly love. Instead Cassandra finds some woman and a boy squatting in the Ludlow mansion; her father, her lady’s maid and all the servants have magically disappeared.
Tell-a-vision, the In-her-net, horseless carriages and women wearing pantaloons; Cassandra is afraid that she might have inhaled fowl air causing her to temporarily lose her senses.
Only when both girls can get over their pride, societal prejudices and self-importance will they be able to return to their rightful century. Until then, they are free to wreak maximum damage on their respective centuries.
I normally don’t read time-traveling novels regardless of their genre. They are usually stereotypical and easy to predict. The Wolf Mirror was no different, but I felt the characters really made this story for me. I felt both lead females were dynamic yet tangible. They weren’t perfect or Mary-Sues. They had their faults and, though I felt they adapted to their situations a little to easy, were interesting to follow.
I should mention I also don’t read YA. I have an entire article written about why, but mainly I just don’t find pleasure in them. While The Wolf Mirror was simplistic in it’s writing, it was a style I found enjoyable.
Overall, I think what I enjoyed most was the overall theme of this story. I enjoy reading about female characters growing and having to rely on their talents to handle difficult situations. I am all about female protagonists, especially if they are written well.
About the author: Caroline Healy is a writer and community arts facilitator. She recently completed her M.A. in Creative Writing at the Seamus Heaney Centre, Queen’s University. She alternates her time between procrastination and making art.
In 2012 her award winning short story collection A Stitch in Time was published by Doire Press. Fiction and commentary has been featured in publications across Ireland, the U.K. and more recently in the U.S. Caroline’s work can be found in journals such as Wordlegs,The Bohemyth, Short Story Ireland, Short Stop U.K., Five Stop Story, Prole, Literary Orphans and the Irish Writers’ Centre Lonely Voice
Her debut Y.A. novel, Blood Entwines was published by Bloomsbury Spark in August 2014 and she is in the process of writing the second book in the series, Blood Betrayal, as well as a short story collection, The House of Water.
She has a fondness for dark chocolate, cups of tea and winter woollies.
(More details can be found on her website www.carolinehealy.com)